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Riders to the Sea / Le Flambeau de la nuit
Ballet-Opéra-Pantomime (BOP) and I Musici de Montréal chamber orchestra are joining forces with the Opéra de Montréal for a double bill in which the sea has a starring role. The sea that feeds us… but that also robs us of life. Mirroring the opera Riders to the Sea, the new work Le flambeau de la nuit echoes the same themes, weaving together a unified dramatic structure that looks both to the present and back to the past.
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Please Thrill Me
Two punks meet freight hopping in the middle of the night. Jazz, who is on a journey to define oneself and Pop who is returning home to the big city by the sea. In this oasis at the end of the world, they will meet a series of characters, all haunted by a symphony of indeterminable desires and by the irresistible dream of a life without limits.
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Le Vaisseau-cœur
Onstage, close to fifty performers of all ages: singers, dancers, and instrumentalists take part in a form of choral celebration where prayers, poetry, and colours intermingle. Here is an invitation to explore sacred expression through two beacons of French 20th-century music.
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Nero and The Fall of Lehman Brothers
Set a few days before the crash of one of the most important investment banks on Wall Street, Jonathan Dawe’s Nero and The Fall of Lehman Brothers draws on baroque opera rhetoric to tell this key chapter of the last great financial crisis.
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J'aurais voulu être un Gougoune
A music and theater performance for 9 to 99 year-olds, “J'aurais voulu être un Gougoune” initiates one and all to Sorcier Gougoune’s terrifically chaotic – if not “quasi-Dadaist” – world. Drawing on a wide range of influences, it combines naïve and art music forms.
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J'aurais voulu être un Gougoune
Des musiques à la fois naïves et savantes et un jeu théâtral enlevé sont les ingrédients de ce conte musical percutant. Orphelin des grands sorciers que furent son père et son grand-père, Sorcier Gougoune doit poursuivre la tradition magique de sa famille. Mais il n’est pas simple d’apprendre la magie dans le monde désenchanté d’aujourd’hui.
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Quatuor pour la fin du Temps
Inspired by a fragment of the Apocalypse, the Quatuor pour la fin du Temps draws on biblical symbolic imagery as well as on surrealist poetry. The fusion between the spiritual universe of the work and the sensuality of dance will shed a new light on this monument of art music.
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Le Vin herbé
At the crossroads of theatre and opera, Le Vin herbé offers an iconoclastic, unbound, physical and innovative vision of the Tristan and Isolde myth: dance, martial arts, rap battles and haute couture meet art music.
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The Burning Fiery Furnace
Following on the success of Curlew River, BOP presented The Burning Fiery Furnace in June 2015. It is the second of Benjamin Britten’s three church parables, and was last performed in Montreal more than fifty years ago.
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Images de Sappho
A coproduction with ECM+ and presented at the Conservatoire de Musique de Montréal, Images de Sappho is the first achievement of BOP’s aims with regard to Dance performances.
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Curlew River
Warmly received by audiences and critics alike, BOP’s first production made the new company’s arrival on Montreal’s musical scene a well-noted appearance.
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